Alanis Morissette: Strength in skirt
(music review)
You ought to know that God is a femme.
At least in the 1999 Kevin Smith film Dogma where God was played by a woman: Alanis Morissette.
It figures, you reckon, considering the fact that Alanis Morissette is deemed a deity in the sphere of arts. She portrays a modern day Betty Friedan armed with a fret board and the poetry of contemporary feminism.
Alanis Nadine Morissette was born in Ottawa, Ontario, Canada to school teachers Alan and the Hungarian-born Georgia Morissette. Showing a love for music at an early age, she composed her first song at age 9 and eventually released an independent single Fate Stay With Me with the B-side Find The Right Man.
In 1990 when Morissette was 16, she was signed up by MCA Records and released her full-length Canadian debut album, Alanis the following year. The album acquired double platinum with its first single Too Hot landing on the Top 10 Canadian charts. Alanis was followed by Now Is The Time which sold less than half the number of copies of her Canadian debut album. Frustrated at ending up without a major label contract after her two album deal with MCA was completed, Morissette began making trips to Los Angeles where she became acquainted with American producer/songwriter Glen Ballard. Together with Ballard, Morissette was able to come up with the bulk of the prodigious Jagged Little Pill. The rest, you bet, is history.
I acquainted myself with Jagged Little Pill at age fifteen, in the midst of adolescent acne, suicidal tendencies and abortive relationships. I recall my junior class from my old high school for girls: adolescent females scribbling Jagged Little Pill lyrics on textbook covers and duffises striking up out-of-tune Alanis singles on borrowed guitars over lunch. Pearl Jam’s Eddie Vedder was the grunge-rock poster boy for the jailbaits but nothing amounted to the fervor of adolescent infatuation for Morissette.
Jagged Little Pill has proven its pizzazz with the fact that it overshadowed Janis Joplin’s 1971 album, Pearl in popularity. Pearl sold 4 million copies in the United States; Jagged Little Pill sold over 16 million units, also in the U.S. alone.
In the eon of male-dominated grunge music scene where and R.E.M.’s Michael Stipe and Stone Temple Pilots’ Scott Weiland run the mill, Morissette served as the voice of an adolescent female who everyday battles life demons at each turn. Morissette’s Jagged Little Pill single You Ought To Know together with Right Through You and All I really Want became outspoken, public testimonials of every young woman’s crusade against abortive romances and backbiting boyfriends. The idealistic You Learn, on the other hand, mirrors hope and optimism, a carefree song which seem to counterbalance Jagged Little Pill’s astringent aura.
Jagged Little Pill was subsequently followed by the less-cynical Supposed Former Infatuation Junkie which was released in November of 1998. Junkie clearly illustrates Morissette’s spiritual, emotional and intellectual growth with the cerebral-contemplative UR , the spiritual singles Thank U and Baba and bittersweet romance chronicles Unsent, Are You Still Mad and So Pure.
Then came the birth of Morissette’s less-celebrated records Under Rug Swept, So-Called Chaos and the very recent 2005 album The Collection, a compilation of recharged old-school Alanis hits.
Morissette’s music and musings have ripened and matured with a bevy of pain-redress personal experiences, completely human and soulful, with dead level honesty and aboveboard attitude. Morissette is an embodiment of a contemporary female breathing in the so-called male-dominated world, unabashed and unthreatened, a real intellectual beyond her years.
You ought to know that God is a femme.
At least in the realm of music Alanis Morissette has changed forever.
(music review)
You ought to know that God is a femme.
At least in the 1999 Kevin Smith film Dogma where God was played by a woman: Alanis Morissette.
It figures, you reckon, considering the fact that Alanis Morissette is deemed a deity in the sphere of arts. She portrays a modern day Betty Friedan armed with a fret board and the poetry of contemporary feminism.
Alanis Nadine Morissette was born in Ottawa, Ontario, Canada to school teachers Alan and the Hungarian-born Georgia Morissette. Showing a love for music at an early age, she composed her first song at age 9 and eventually released an independent single Fate Stay With Me with the B-side Find The Right Man.
In 1990 when Morissette was 16, she was signed up by MCA Records and released her full-length Canadian debut album, Alanis the following year. The album acquired double platinum with its first single Too Hot landing on the Top 10 Canadian charts. Alanis was followed by Now Is The Time which sold less than half the number of copies of her Canadian debut album. Frustrated at ending up without a major label contract after her two album deal with MCA was completed, Morissette began making trips to Los Angeles where she became acquainted with American producer/songwriter Glen Ballard. Together with Ballard, Morissette was able to come up with the bulk of the prodigious Jagged Little Pill. The rest, you bet, is history.
I acquainted myself with Jagged Little Pill at age fifteen, in the midst of adolescent acne, suicidal tendencies and abortive relationships. I recall my junior class from my old high school for girls: adolescent females scribbling Jagged Little Pill lyrics on textbook covers and duffises striking up out-of-tune Alanis singles on borrowed guitars over lunch. Pearl Jam’s Eddie Vedder was the grunge-rock poster boy for the jailbaits but nothing amounted to the fervor of adolescent infatuation for Morissette.
Jagged Little Pill has proven its pizzazz with the fact that it overshadowed Janis Joplin’s 1971 album, Pearl in popularity. Pearl sold 4 million copies in the United States; Jagged Little Pill sold over 16 million units, also in the U.S. alone.
In the eon of male-dominated grunge music scene where and R.E.M.’s Michael Stipe and Stone Temple Pilots’ Scott Weiland run the mill, Morissette served as the voice of an adolescent female who everyday battles life demons at each turn. Morissette’s Jagged Little Pill single You Ought To Know together with Right Through You and All I really Want became outspoken, public testimonials of every young woman’s crusade against abortive romances and backbiting boyfriends. The idealistic You Learn, on the other hand, mirrors hope and optimism, a carefree song which seem to counterbalance Jagged Little Pill’s astringent aura.
Jagged Little Pill was subsequently followed by the less-cynical Supposed Former Infatuation Junkie which was released in November of 1998. Junkie clearly illustrates Morissette’s spiritual, emotional and intellectual growth with the cerebral-contemplative UR , the spiritual singles Thank U and Baba and bittersweet romance chronicles Unsent, Are You Still Mad and So Pure.
Then came the birth of Morissette’s less-celebrated records Under Rug Swept, So-Called Chaos and the very recent 2005 album The Collection, a compilation of recharged old-school Alanis hits.
Morissette’s music and musings have ripened and matured with a bevy of pain-redress personal experiences, completely human and soulful, with dead level honesty and aboveboard attitude. Morissette is an embodiment of a contemporary female breathing in the so-called male-dominated world, unabashed and unthreatened, a real intellectual beyond her years.
You ought to know that God is a femme.
At least in the realm of music Alanis Morissette has changed forever.